Though it features some interesting visuals, Mute is a significant misstep for the talented director.
Raison d’être’s dark ambience may begin in the shadows, but it’s never content to stay there.
Dan Slott and Mike Allred’s take on the Silver Surfer is a far cry from the comics of my youth — for better and worse.
Heart-breaking music about death; dreamy electronica from shoegaze giants; inspired ’80s pop; plaintive, old-timey folk/country; and goofy country-punk.
On its surface, Black Science feels like an homage to classic and pulp sci-fi.
An impressive debut that feels both nostalgic and original; exquisitely composed dreampop; and super funky future funk.
By striking it down, Rian Johnson helped ensure that Star Wars could become more powerful than we can possibly imagine.
This remarkably strong debut is filled with simple-yet-affecting tales of love at its best and worst, all wrapped in gorgeous pop arrangements.
Angela Klimek’s lovely debut conjures up a magical, enchanting view of winter thanks to vast ambient drones and textures.
This ambient reimagining breaks down Vangelis’ original score and weaves it back together in new, intriguing ways.
Making it through the final film in Cannon Film’s “ninja trilogy” required more than nostalgia.
Tholen’s first album in four years finds him pondering marriage, being an artist, and the mysteries of God’s divine will.