The New York outfit’s music conjures up wide-open spaces and desert vistas perfect for a pandemic-inspired getaway.

The vaporwave duo returns with another release that moves far beyond “traditional” vaporwave ideals.

Michael Cottone’s tribute to his neighborhood uses lush, pastoral soundscapes to evoke a sense of wonder.

When I think of my ideal ambient music, I imagine the sort of tones and atmospherics that drift through this album.

Puzzlewood is the retro-futurist synth band’s first album in over two decades — and it’s a welcome return.

Starflyer 59 returns with another solid collection of songs.

The electro-funk duo tackles the pandemic and quarantine life with their trademark grooves and cheekiness.

This lovely little album by harpist Nailah Hunter stands in stark contrast to these chaotic times.

Robert Rich’s latest album is a response to listeners’ requests for music that can help them during these uncertain times.

The duo’s latest collection of nostalgia-soaked songs contains some of their most abstract and affecting music to date.

Endless Melancholy’s latest is the musical equivalent of thumbing through old keepsakes and faded photos.

One of synthwave’s finest concludes his Blade Runner-inspired series of EPs with a tribute to Rutger Hauer.

The Danish trio’s latest album is a perfectly bleak blend of razor-sharp post-punk and chilly synth-pop.

There’s a hint of darkness beneath the dreaminess that makes Chasms’ music all the more captivating.

The band’s 1987 magnum opus is a dark, haunting album that still captivates after more than three decades.

Knight Sabers’ future funk is the perfect music for relaxing after a hard day of fighting rogue mecha on the streets of Mega Tokyo.

If you’re a fan of ethereal guitars, icy synths, Cure-ish basslines, and haunting vocals, then this is your new favorite EP.

This is music for ambling through wide open spaces that aren’t encumbered by the detritus of urban sprawl.

This four-hour collection of improvised ambient/electronic music is as spacious and expansive as its cosmic cover art suggests.

Originally released in 1997, these eight ambient pieces put much of modern dungeon synth music to shame.