This month’s subscriber-only playlist and podcast episode is a nostalgic trip back to the Cornerstone Festival.

David Eugene Edwards is arguably one of the most unique artists in Christendom.

Time has done nothing to blunt the band’s intense, intricate, and emotional brand of post-hardcore.

This documentary about the indie Christian band has the requisite rock n’ roll drama, but also offers some deeper ruminations on faith and art.

If you’ve grown tired of “typical” anime fare, then Haibane Renmei might just represent a breath of fresh air.

The Eich controversy is a firm reminder of the necessity for tough, expensive grace in our lives, relationships, and conversations, especially when it comes to such heated issues as gay marriage and LGBT rights.

The Christian music super-group are reuniting for a single concert this July, with special guests Over the Rhine.

Opus continues to grow slowly but surely over 2020.

These are the posts that I most enjoyed writing and hew closest to my Platonic ideal for Opus’ content.

The synth-pop maestro returns with an epic new single.

The album’s emotional post-rock immediately takes me back to a simpler era.

Rosie Thomas’ sets are always a delight thanks to her charming personality and heartbreaking music.

Two songs from an amazing Starflyer 59 performance.

Witmer’s Cornerstone sets made for a nice change of pace from all of the punk and hardcore bands.

Even after four decades, The Cure’s third album remains one of their most powerful and poignant releases.

Subscribers can listen to some of my favorite songs that I recall seeing at the Cornerstone Festival.

These photos are a tribute to both the Festival itself and the many bands that played its various stages.

Featuring The Elevator Division, Goat Explosion, Havalina, mewithoutYou, Roadside Monument, and more.

Featuring Starflyer 59, The People, and campground photos.