The Osterman Weekend
I went into this film anticipating a paranoid thriller along the same lines as The Parallax View or Three Days of the Condor. What I got was a muddled mess made all the more disappointing by the fact that it was directed by Sam Peckinpah (his final film, in fact), stars Rutger Hauer and John Hurt, and has a Lalo Schifrin score. The Osterman Weekend works really hard to make you think that it’s smarter than it actually is, but its tangle of storylines (which include Russian secret agents, government corruption, and fears about surveillance and media manipulation) combined with jumbled editing and unlikable characters will just leave you scratching your head the entire time. A director’s cut was released in 2022 — the 1983 theatrical release was edited by the producers themselves after they fired Peckinpah — but the film is so random and slapdash that I have a hard believing that a director’s cut would be any more enjoyable or insightful.