Subscribers can listen to selections from the singular discography of Ronnie Martin (e.g., Joy Electric, DanceHouse Children, Said Fantasy).

Opus continues to grow slowly but surely over 2020.

These are the posts that I most enjoyed writing and hew closest to my Platonic ideal for Opus’ content.

Subscribers can listen to a playlist of my favorite era from one of Christendom’s most important and influential labels.

Subscribers can listen to a sample soundtrack of my life circa 1991 – 1994.

Subscribers can listen to a playlist of some of my favorite anime themes.

Subscribers can listen to a collection of songs that help set the mood for the final days of Summer 2021.

Subscribers can listen to 100+ minutes of music that I frequently turn to for pain relief.

Subscribers can listen to two hours of some of my favorite songs for slinging HTML, CSS, and JavaScript.

Subscribers can listen to a 90-minute exploration of Ghost Box Records’ bizarre and beguiling music.

Subscribers can listen to a celebration of all things Velvet Blue Music.

Subscribers can listen to some of my favorite songs that I recall seeing at the Cornerstone Festival.

Subscribers can listen to an exploration of classic Christian industrial music from the ’80s and ’90s.

Opus experienced some slow, steady growth during 2020, which is very gratifying.

A tribute to the celebrated minimalist and ambient music composer.

If you enjoy reading Opus, then there are several ways that you can support my efforts.

Subscribers can listen to a journey through the shadowy nostalgia of vaporwave.

Subscribers can listen to a selection of autumnal tracks from The Clientele.

Subscribers can listen to a selection of artists whose songs bear the Cocteau Twins’ indelible touch.

Subscribers can listen to a selection of songs from artists who’ve toiled away on the fringes of Christian music.