Jan 19, 2003 Suntan by Suntan (Review) Considering the spacious, trippy sounds that Suntan have taken a liking to, there’s not a lot of experimentation going on here.
Jan 19, 2003 Blacklisted by Neko Case (Review) Blacklisted combines elements of country, goth, and punk to make a twangy mix that fires up and fades away.
Jan 19, 2003 Lost Songs by John R. Williamson (Review) You’d never know this was a collection of leftovers if Williamson hadn’t said so himself.
Jan 19, 2003 Becoming What You Hate by Pony Express (Review) Becoming What You Hate makes a perfect companion piece to Starflyer 59’s later albums.
Jan 19, 2003 Lullaby by If Thousands (Review) A classically trained vocalist and a punk rock bassist unite to create an intriguing drone album.
Jan 19, 2003 Writers Without Homes by Piano Magic (Review) Piano Magic picks up right where This Mortal Coil left off.
Jan 19, 2003 Interno by Rf (Review) Despite all of the processing and digitization, an incredible amount of organic warmth emanates from this album.
Dec 23, 2002 Lost Songs by The Appleseed Cast (Review) Lost Songs gives fans a chance to hear the band in transition while also giving completists access to some solid recordings.
Dec 23, 2002 Divine Operating System by Supreme Beings Of Leisure (Review) Like James Bond films, the Supreme duo’s sound is slick, and by “slick” I mean Swiss clockworks and fine German engineering.
Dec 23, 2002 Six Songs EP by Ghoti Hook (Review) Shows off the sense of what makes a good pop song without losing the rock.
Dec 23, 2002 He Was a Woman by David Hurn (Review) The lowest common denominator of the album is a sterile brand of pastoral country folk that weaves through every song at some point.
Dec 23, 2002 Settle Down by Flora Reed (Review) Reed is a romantic worth listening to, and the kind of person we would all like to know.
Dec 23, 2002 Anniversary by Sinister Luck Ensemble (Review) When taken as a whole, Anniversarybecomes a pretty staggering experience.
Dec 23, 2002 We Haven’t Just Been Told, We Have Been Loved by Half-Handed Cloud (Review) These songs are immediately compelling, perfectly rounded out, and though always brief, never feel truncated or half-done.