This seems like the epitome of an “if it ain’t broke, don’t fix it” situation.

The Julies return after nearly 30 years with an album of mature, reflective indie pop.

The Scottish author interweaves ominous soundscapes with broadcasts and audio journals to create a disquieting cosmic horror narrative.

The dream pop-meets-drum n’ bass classic celebrates its 25th anniversary with outtakes, remixes, and live performances.

The pairing of introspective lyrics and evolved sonics leads to a quality of reflection that’s unique in Slowdive’s catalog.

A lovely slice of dark ambience that’s over far too soon.

An absolute assault on the senses, especially in 4K and fullscreen.

One of Velvet Blue Music’s dreamiest releases to date. Which, given the label’s extensive catalog, is saying something.

Kintsugi transform the grief over losing several beloved family members into lovely instrumental arrangements.

An epic sci-fi anime needs a suitably epic theme, even one that borrows a riff from a Starship song.

The song is the highlight on a recent compilation of Cure covers.

It’s impossible to mistake a David Eugene Edwards song as anyone else’s tune.

The Swedish composer is back with another album of too-smooth jazz grooves.

Also, Piano Magic’s third album gets a long-awaited vinyl reissue.

This single from Markus Popp’s latest album is almost effortlessly pretty and otherworldly.

Soft Science’s latest single taps into all that was good and great about Sarah Records.

The Cure’s Show live album from 1993 is being reissued as a double LP, but it won’t contain the full concert.

The former Lush vocalist is releasing her debut solo album this October; watch the video for its first single.

For a single ambient piece that runs over 90 minutes, there’s always something going on… should you choose to listen close enough.

The dream pop duo’s latest is the first in a series of semi-autobiographical EPs about star-crossed lovers making their way in a cruel, capitalist society.