Fire Records will reissue the album this September.

This gloomily lush, opaque pop unfolds with every listen to reveal an amazing array of sonic details that consistently proves lovely and alluring.

Intended as a soundtrack for one of the most (in)famous exploitation films of all time, there’s very little that feels exploitative about this.

This could’ve been a compelling EP but it’s an overlong and thinly-stretched full-length.

There’s such a wealth of ideas and detail in Sutton’s compositions that even hearing other people’s takes on those elements feels like wholly original material.

The thing I like most about this release is that it keeps me guessing.

Codename: Dustsucker represents a stunning return to form for the band.

As befitting their name, The Great Depression immerse themselves in a dark, melancholy sound.

Combines hip hop-infused slam poetry with a mellowed-out post-rock rhythm section and a classical guitarist.

The lowest common denominator of the album is a sterile brand of pastoral country folk that weaves through every song at some point.