Yang is very content to let the scenes speak for themselves, without feeling a need to use dialog.
What makes this film so unpleasant, and yet so riveting, is its honest treatment of the story.
Despite a few technical glitches, The Faint held the crowd in their hand.
The movie soon becomes a delirious ride through all sorts of fantastic settings.
An enthralling thriller that uses quiet tension, superb acting, and a sharp script to keep you interested.
Just when you think you have it figured out, the movie forces you to rethink everything you just saw.
A movie can’t get by on just flashy characters, a tacked on love story, and over-the-top dialog.
It’s not a classic by any means but it’s a far sight better than what I thought it would be.
This is everything that I want from a Godzilla movie.
This film throws so much at you it’s nearly impossible to take in.
Jackie Chan’s finest moment?! It could very well be.
Yes, the book was much better.
To be honest, this film may just be the best film I’ve ever seen that deals with the subjects of grief and loss.
I just didn’t find it to be the great thriller it was made out to be.
My second favorite movie of the “Three Colours” trilogy, Red is not without its weaknesses.
As far as mindless action flicks go, I’d probably prefer this to some musclebound action hero spouting cheesy dialog.
It almost feels oppressive and the movie’s attempts at humor aren’t enough to shirk that feeling.
This Russian sci-fi film is probably most comparable to Stanley Kubrick’s 2001.
A fun picture to watch if you’re in the mood for something twisted and “effed up.”
I just can’t get enough of movies with ensemble casts, wierd plots, and a sense of continuity that refused to go from Point A to Point B.