What makes this film so unpleasant, and yet so riveting, is its honest treatment of the story.
Yang is very content to let the scenes speak for themselves, without feeling a need to use dialog.
Despite a few technical glitches, The Faint held the crowd in their hand.
The movie soon becomes a delirious ride through all sorts of fantastic settings.
An enthralling thriller that uses quiet tension, superb acting, and a sharp script to keep you interested.
Just when you think you have it figured out, the movie forces you to rethink everything you just saw.
A movie can’t get by on just flashy characters, a tacked on love story, and over-the-top dialog.
It’s not a classic by any means but it’s a far sight better than what I thought it would be.
This is everything that I want from a Godzilla movie.
This film throws so much at you it’s nearly impossible to take in.
An “intelligent” film from the guy who brought you Evil Dead 2.
For a movie that’s about a famous swordsman, we actually see very little of him.
Chow Yun-Fat aside, the rest of the movie seems too unfocused, unexplained, and uninspired to be enjoyable.
There’s something offbeat and charming about Adrenaline Drive that ultimately offsets any lack of originality.
The humor is wonderfully low-key and dark, the dialog is witty, and the performances are incredible.
Jackie Chan’s finest moment?! It could very well be.
Yes, the book was much better.
To be honest, this film may just be the best film I’ve ever seen that deals with the subjects of grief and loss.
I just didn’t find it to be the great thriller it was made out to be.
My second favorite movie of the “Three Colours” trilogy, Red is not without its weaknesses.