Yang is very content to let the scenes speak for themselves, without feeling a need to use dialog.
What makes this film so unpleasant, and yet so riveting, is its honest treatment of the story.
Despite a few technical glitches, The Faint held the crowd in their hand.
The movie soon becomes a delirious ride through all sorts of fantastic settings.
An enthralling thriller that uses quiet tension, superb acting, and a sharp script to keep you interested.
Just when you think you have it figured out, the movie forces you to rethink everything you just saw.
A movie can’t get by on just flashy characters, a tacked on love story, and over-the-top dialog.
It’s not a classic by any means but it’s a far sight better than what I thought it would be.
This is everything that I want from a Godzilla movie.
This film throws so much at you it’s nearly impossible to take in.
A fun picture to watch if you’re in the mood for something twisted and “effed up.”
I just didn’t find it to be the great thriller it was made out to be.
A condemnation of the hate and bigotry that religion at its most fanatical can bring about.
As far as mindless action flicks go, I’d probably prefer this to some musclebound action hero spouting cheesy dialog.
A great, action-packed thriller that has definite influence from John Woo, on both visceral and emotional levels.
This Russian sci-fi film is probably most comparable to Stanley Kubrick’s 2001.
There’s something offbeat and charming about Adrenaline Drive that ultimately offsets any lack of originality.
Why can’t more movies like this be made?
I just can’t get enough of movies with ensemble casts, wierd plots, and a sense of continuity that refused to go from Point A to Point B.
Jackie Chan’s finest moment?! It could very well be.