Yang is very content to let the scenes speak for themselves, without feeling a need to use dialog.
What makes this film so unpleasant, and yet so riveting, is its honest treatment of the story.
Despite a few technical glitches, The Faint held the crowd in their hand.
The movie soon becomes a delirious ride through all sorts of fantastic settings.
An enthralling thriller that uses quiet tension, superb acting, and a sharp script to keep you interested.
Just when you think you have it figured out, the movie forces you to rethink everything you just saw.
A movie can’t get by on just flashy characters, a tacked on love story, and over-the-top dialog.
It’s not a classic by any means but it’s a far sight better than what I thought it would be.
This is everything that I want from a Godzilla movie.
This film throws so much at you it’s nearly impossible to take in.
A great, action-packed thriller that has definite influence from John Woo, on both visceral and emotional levels.
This Russian sci-fi film is probably most comparable to Stanley Kubrick’s 2001.
There’s something offbeat and charming about Adrenaline Drive that ultimately offsets any lack of originality.
Why can’t more movies like this be made?
I just can’t get enough of movies with ensemble casts, wierd plots, and a sense of continuity that refused to go from Point A to Point B.
Jackie Chan’s finest moment?! It could very well be.
An “intelligent” film from the guy who brought you Evil Dead 2.
For the most part, the fights are brutal and gory. But it’s good for the kitsch factor.
To be honest, this film may just be the best film I’ve ever seen that deals with the subjects of grief and loss.
Chow Yun-Fat aside, the rest of the movie seems too unfocused, unexplained, and uninspired to be enjoyable.