The recording and the performances are flawless, perhaps TOO flawless.

OVO is an almost excellent record, not without its flaws, I must admit, but pretty much worth the money.

Throughout the record, one gets the feeling that Huffamoose is just trying too hard to sound cooler than their music.

If you like indie/emo with a little rock and some added instrumental depth thrown in for good measure, you may enjoy it too.

I hope everybody besides me might now see him as Morrissey’s American counterpart.

Features some of the best of O’Connor’s lyrics in a long time.

Every song is short and to the point, which is good I guess, but every song says the same thing in the exact same way.

This record is one of the best of the year 2000.

The album represents a return to greatness for DJ Cam.

Confirms the fact that we are hearing one of the most exquisite groups of the ’90s, and of the next decade.

The thing that keeps this from being just another Britpop rip-off is the amount of strangeness The People incorporates into their songs.

I challenge you to listen to Songs of Latitude and Longitude and not get a little nostalgic.

Ultra-jangly pop songs that sound as fragile as glass sculptures and are just as pretty.

Did I mention Farquar Muckenfuss is a psychotic surf band from the depths of some hidden, secret laboratory?

Empress makes sparse music that’s both unsettling and beautiful.

If you’ve heard all of the hype about this group, and are wondering where to start, this isn’t the place.

Monkey Hearts is better produced than Pony Express’s previous work.

Kistchy yet intense is the correct description of this catchy album.