This remarkably strong debut is filled with simple-yet-affecting tales of love at its best and worst, all wrapped in gorgeous pop arrangements.
Angela Klimek’s lovely debut conjures up a magical, enchanting view of winter thanks to vast ambient drones and textures.
This ambient reimagining breaks down Vangelis’ original score and weaves it back together in new, intriguing ways.
Making it through the final film in Cannon Film’s “ninja trilogy” required more than nostalgia.
Tholen’s first album in four years finds him pondering marriage, being an artist, and the mysteries of God’s divine will.
These songs move in directions that are more interesting than the simple “shoegaze + metal” equation implies.
Sparse, intimate folk/slowcore, nocturnal cinematic ambient, airy electronic music, and anime-inspired future funk.
While certainly not everyone’s cup of tea, I consider this one of 2017’s most fascinating and compelling albums.
This CGI-filled remake of 1977’s Death Duel never quite reaches the martial arts heights to which it so clearly aspires.
Dreamy autumnal pop, spaced-out slowcore, The Smiths get a shoegaze makeover, and some gorgeous psychedelic pop.
Marty Robbins’ music presents an idealized, but never schmaltzy vision of the American West. Plus, he has a voice for the ages.