Morisset’s extreme, even experimental style is the perfect visual counterpart for Sigur Rós’ beautiful sonic onslaught.
Fish Story is ultimately an examination of how even seemingly random events are subtly connected in ways that nobody can truly foresee.
Arguably one of Ghost Box’s most accessible releases to date, as well as one of their loveliest.
Autumn Is the End sounds like the penultimate spaghetti western soundtrack.
Two decades after its original release, Havalina’s third album remains as much an unsung masterpiece as ever.
The Romanian trio will beat you down one massive riff at a time, but they’ll also build you back up, stronger than before.
Post-rock, electronic music, film scores, modern classical, and jazz figure into Grails’ graceful, sublime music.
Game of Thrones’ Maisie Williams stars in this superhero origin story for the social media era.
This gorgeous space-themed EP blends metal and shoegaze to stunning effect.
Minimalist industrial punk; the return of a shoegaze legend; dreamy inter-dimensional post-punk; and darkly lush pop from Germany.
Vertical Comics’ excellent reprint captures all of the engrossing and unsettling detail in Nihei’s intricate artwork.
It’s passable late night entertainment but with a script that made better use of its ideas, it could’ve been a lot more.
Dark-tinged folk balladry, spacey techno from Iceland, goth-y psychedelia, and stripped down post-rock.
The latest from Wit Studio and Tetsurō Araki is a gruesome, action-packed series featuring human-devouring monsters and steampunk samurai.
Autumnal dream-pop, cosmic electronic music, impeccable Swedish pop, and the final Circle of Dust reissue.
Ominous synth music, playful electronica, beautiful dark ambient, Swedish psych-rock instrumentals, and elegant emo.
There’s some very weird music to be found in Unknown Tone’s catalog, but that same music is frequently beautiful and intriguing as well.
Tomohiko Itō’s latest anime is rooted in tragedy, loss, and a search for restoration and redemption… and time travel.
Yes, this Minnesota quintet sounds a LOT like Joy Division but their self-assured music ultimately transcends such easy comparisons.
The Midnight’s take on ’80s pop is packed with synthesizer goodness — and blazing guitar and sax solos galore.