James Clements’ latest collection of ambient techno evokes uncharted and mysterious ocean depths.

The ambient master’s latest is two hours of otherworldly atmospheres inspired by his experiences with synesthesia.

Some of it hasn’t aged well, but Under Midnight’s earnestness and ambition are still worth noting, even after nearly three decades.

Hana Vu’s latest EP is filled with catchy dreampop that’s all the more so for its mundanity.

If you think this might be the next John Wick, don’t waste your time. Just watch John Wick again.

The producer’s future funk is warm, infectious, and perfect for chasing those winter blues away.

Though not lacking in ambition or scope, the trilogy ultimately leaves you wondering what might’ve been.

Easily one of the most exhilarating and entertaining superhero movies I’ve ever seen, and all the moreso for its inclusivity.

The prolific French producer has released some of the year’s best dark ambience.

The “chill-hop” producer blends hip-hop beats, melancholy atmospheres, jazzy riffs, and other elements for supreme chill-out material.

The duo’s final album combines black metal and shoegaze to brutal, yet beautiful effect.

The band’s first release in a dozen years boasts a heavier, more expansive sound.

Inspired by classic horror soundtracks and ’70s educational films, Young Hierophant crafts otherworldly (yet catchy) electronic music.

Joost Kraaijenbrink’s whimsical indietronica sometimes blurs together, but it also contains numerous delights.

A sense of great care and precision always permeates The Green Kingdom’s music.

Gavin Miller’s latest mines the same sort of “nostalgist” sound as artists like July Skies and Epic 45.

If you’re in the mood for music that works best if you just close your eyes and let it drift you away, then this is for you.

A rousing, strongly principled adventure story that I would’ve loved to read back in 5th grade (but I still enjoyed it as an adult).

Mary and the Witch’s Flower could easily be mistaken for a classic Studio Ghibli film, and that’s not a bad thing.

While frequently billed as a horror movie, that term actually undersells this movie.