James Cameron, Avatar, and Pantheism

I haven’t seen Avatar yet — I hope to sometime this week — but even so, I found Ross Douthat’s thoughts on the film’s spiritual overtones intriguing.

It’s fitting that James Cameron’s “Avatar” arrived in theaters at Christmastime. Like the holiday season itself, the science fiction epic is a crass embodiment of capitalistic excess wrapped around a deeply felt religious message. It’s at once the blockbuster to end all blockbusters, and the Gospel According to James.

But not the Christian Gospel. Instead, “Avatar” is Cameron’s long apologia for pantheism — a faith that equates God with Nature, and calls humanity into religious communion with the natural world.

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The question is whether Nature actually deserves a religious response. Traditional theism has to wrestle with the problem of evil: if God is good, why does he allow suffering and death? But Nature is suffering and death. Its harmonies require violence. Its “circle of life” is really a cycle of mortality. And the human societies that hew closest to the natural order aren’t the shining Edens of James Cameron’s fond imaginings. They’re places where existence tends to be nasty, brutish and short.

Religion exists, in part, precisely because humans aren’t at home amid these cruel rhythms. We stand half inside the natural world and half outside it. We’re beasts with self-consciousness, predators with ethics, mortal creatures who yearn for immortality.

Note: The article contains potential spoilers. Proceed at your own risk.