After a man discovers that his iMac and the TV in his café are caught in a time loop, and thus display events from two minutes in the future and the past (respectively), his friends quickly figure out how to use that to their advantage. But as their temporal shenanigans grow increasingly convoluted, they risk running afoul of some local yakuza and possibly destabilizing the entire space-time continuum. I’m not sure how coherent its temporal logic is when compared to, say, Primer, but it’s hard not to admire Beyond the Infinite Two Minutes for its scrappy, low-budget spirit (the film was shot using smartphones and Tamagotchi-sized cameras) and intricate construction, as seen during the end credits. Clocking in at 70 minutes and presented as a single take, Junta Yamaguchi’s film doesn’t wear out its welcome. Indeed, you’ll probably spend much longer afterwards trying to figure out how Yamaguchi and his collaborators put it all together, and in just a week, no less.