I have only a passing familiarity with Ultraman, so I don’t know how well Shin Ultraman works as a reboot of the classic tokusatsu series. The storyline was as ridiculous as you’d expect, filled with technobabble and over-the-top monsters, as was the filming, which constantly employed crazy edits and “Dutch angles” to make the proceedings feel ultra-dramatic (npi). Like its predecessor, 2016’s Shin Godzilla, Shin Ultraman often felt like a parody of the genre, albeit one made by people who obviously love the genre. I enjoyed film’s visuals — e.g., Ultraman’s “Spacium Beam” attack and his flying poses — all of which had a delightfully retro feel to them. But its episodic nature was a downside. It felt less like a coherent film and more like a miniseries that’d been chopped up and re-edited together, and thus missing key scenes that would’ve helped smooth things out.
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