The talent is clearly there, but they don’t make use of it on a large portion of the album.

There’s a swagger in the band’s step here, a sneer on their face, and they’ve got the goods to back it up.

I was surprised and dismayed at how unaffecting it soon became.

Guaranteed to open up a new fanbase for Gomez while still appealing to the already impressive and varied one they have accumulated over the years.

Probably as a good a place as any to start if you want to start delving into the history of electronic music.

I’ll take Sylvian’s excesses any day over, because I know there’s a sensitive mind at work here.

I hope everybody besides me might now see him as Morrissey’s American counterpart.

Looking for high quality love songs? This is a good record for doing that.