Critics find the new Wonder Woman movie to be excessive and over-the-top (in both good and bad ways).

Critics react to the latest version of the legendary manga and anime anti-hero, now in 3DCG.

Pixar’s latest feature, a heady trip into spiritual realms, will be released on Disney+ this Christmas.

Does it make sense to pay extra to watch Disney’s live-action remake now, or can you wait until December?

Is the return of Wyld Stallyns most excellent? Or totally bogus?

Tenet may be “the most Christopher Nolan-y thing that Christopher Nolan has ever made.” But is that good or bad?

Johnson’s latest is a twisty murder whodunit in the vein of Agatha Christie.

The latest DC films continues to lighten the mood, blending goofy fun with the usual superheroics.

So far, most critics are singing the praises of Marvel’s first female-led superhero movie.

It looks like Joe Cornish has created a delightful, and surprisingly relevant, update of the Arthurian legends.

While perhaps not as original as its predecessor, Incredibles 2 is a worthy followup.

Critics laud the movie’s Afrofuturistic aesthetic, strong female characters, and complex villain (among other things).

The overall consensus? Writer/director Rian Johnson has made a Star Wars movie for the ages.

Critics say Baby Driver is filled with the sort of vibe and energy we’ve come to love and expect from Edgar Wright.

The second outing for Marvel’s outer space misfits sounds like it’ll be just as much fun as the first.

Studio Ghibli’s other master releases his first film in 14 years, a retelling of a classic Japanese fairy tale.

So far, the reviews coming out of Sundance have been exactly what I expecting/hoping.