Walking Wounded still sounds as relevant, soulful, and heartbreaking as ever.

It’s deeply enjoyable, and even a little moving for this fan, to see Slowdive vindicated after all these years.

I suddenly remember why I stopped reading Pitchfork on a regular basis.

Some thoughts on Pitchfork’s review of the reissue of The Cure’s Disintegration.

The ’90s were a pretty exciting time for music — if you were willing to scratch just below the surface.

Speaking as a developer, I have to confess I find the new look rather underwhelming, both inside and out.