They’ve created two of the most singular and recognizable aesthetics in independent music, Christian or otherwise.

More than a return, this feels like a rediscovery of everything that made me love Ronnie Martin’s music in the first place.

Subscribers can listen to selections from the singular discography of Ronnie Martin (e.g., Joy Electric, DanceHouse Children, Said Fantasy).

Ronnie Martin’s antediluvian history concept record takes even the most familiar of Biblical tales and puts a newly poignant spin on them.

The Ministry of Archers feels like a throwback to past Joy Electric efforts like We Are The Music Makers and Five Stars For Failures.

The innocence of Martin’s music has always been one of the main attractions that Joy Electric has had for me.

The album consists of lovely, hushed versions of Ronnie’s joyous pop songs.

I’m somewhat torn on this release.

The best way to sum up The White Songbook is as a consummation.

While still a magnificent feast for the ears, every song on The Tick Tock Treasury reminds me of past Joy Electric albums.

Ronnie’s made a gutsy move on this one, pushing on with his own musical vision and remaining steadfast to his spiritual beliefs.

At the risk of sounding cheesy, Joy Electric’s music brings back a sort of wistfulness for more innocent, carefree days.

I would strongly recommend it to anyone who likes techno-dance-computer-music-video-game soundtrack-sounding music.