Tsui Hark takes the oldest of kung fu movie clichés — avenging your murdered father — and distills it to its rawest essence.

The Prodigal Son’s martial arts displays are hampered by wild mood swings between goofiness and stomach-churning violence.

Anna Magdalena is about unrequited love, but I don’t need song and dance numbers and a subpar adventure story to reinforce that.

It’s not a classic by any means but it’s a far sight better than what I thought it would be.

Jackie Chan’s finest moment?! It could very well be.