Netflix’s manga adaptation is an entertaining blend of angst-y melodrama and dark, bloody suspense.

The show’s three seasons, which span multiple eras in an isolated German town, make for some confusing and captivating viewing.

This understated indie sci-fi film breathes new life into a familiar storyline thanks to assured direction and solid performances.

Alex Garland’s latest explores free will, determinism, and the nature of reality against a Silicon Valley backdrop.

It’s been a long time since I’ve disliked a novel as much as this one.

This twisted tale involving young orphans is one of the most suspenseful anime series I’ve seen in quite some time.

The bleakest film the Coen Brothers have made to date.

To attempt to come up with a more detailed plot synopsis is sort of beside the point, and to be honest, I don’t even know if it’s possible.

The film always returns to its central violent themes with a crackling, harrowing intensity.

When its firing on all cylinders, there’s nothing I love as much as Hong Kong cinema, and Sha Po Lang is a reminder of almost every reason why.

Not necessarily for the squeamish, but a surprisingly haunting treatise on death and memory.

Sympathy for Lady Vengeance is not just my least favorite of the “Vengeance” trilogy, but also the weakest.

All in all, a fabulous little gem that deserves much more attention than it’s probably received to this date.

Crónicas is about the lengths to which someone will go to get the truth, even if it means sacrificing the truth to do so.

Haneke seems to have a pretty dim view of humanity, if this film is any indication.

Kim packs “A Tale of Two Sisters” with atmosphere and tension to spare.

Mochizuki hits all of your standard hitman movie plot points.

Sci-fi fans looking for something with a little more substance, not to mention a brainteaser or two, are in for a treat with this one.

Easily one of, if not the, darkest and most somber film that Chan has made to date.