The Foundation revisits four of their classic songs with predictably strong results.

After three decades, the long-lost album from Ronnie and Jason Martin’s (Joy Electric, Starflyer 59) first band has finally been released.

The Moscow-based band walks the line between Cure-ish post-punk and shoegazer-y atmospherics.

The Moscow shoegazers return with ten tracks of brilliant shoegaze that’s hampered only somewhat by a muddy mix.

The Swedish duo evoke the universe’s vastness with a spell-binding blend of metal, shoegaze, goth, ambient, and electronica.

The Moscow quintet’s most recent release is a nice dive into the gloomier range of the shoegaze spectrum.

The band’s first release in a dozen years boasts a heavier, more expansive sound.

These songs move in directions that are more interesting than the simple “shoegaze + metal” equation implies.

More than just a simple nostalgia trip, the new full-length finds Slowdive building on their celebrated sound.

This gorgeous space-themed EP blends metal and shoegaze to stunning effect.

Lush’s first release in two decades contains nothing all that groundbreaking— but why would it need to?

You get the sense that Deafcult’s members love making this music, and they love making it as loud and raucous as possible.

Ceremony doesn’t bring anything new to the shoegaze formula; rather, they take the genre’s hallmarks and just turn them up way past 11.

A solid debut, as well as one of the best and most gripping shoegazer releases I’ve heard in months.

A fascinating paradox has been at work in the heart of lovesliescrushing’s music for two decades now.

Lovesliescrushing’s latest is a free download that serves as an excellent introduction to their abstract form of shoegazer ambience.

In the end, this feels very much like a “transition” record to me.

Au Revoir Borealis returns after a long hiatus with a lush, darkly beautiful album perfectly suited for these trying times of ours.

Disappear continues Ceremony’s ear-shredding track record with a collection of short-but-sweet tracks guaranteed to rend your speakers in two.

An album that is thoroughly obsessed with creating soundscapes as amorphous and spectral as possible — for better or worse.