The album’s emotional heft comes from Bergman’s attempts to balance her belief in, and need for, a loving God with the horror and sorrow of her father’s death.

Darren Aronofsky’s Biblical adaptation serves as a bracing restorative for a story that has lost much of its bite over the centuries.

Balmer is taking off the gloves and striking up a much more defiant, incisive stance this time.

I’ve heard most of the songs on here before, countless times. But I had never heard them like this, in such a sublime context.

‘Mosaic’ displays both the greatest strengths of Woven Hand’s music as well as its greatest weaknesses.

Tarkovsky’s last will and testament, a final summation of all that he believed about filmmaking, as well as spirituality and humanity.

I was completely unaware that I needed a good Christmas album this year and yet this album has filled that niche quite nicely.

Yet another staggering album from one of America’s most convicted (and convicting) songwriters.