Kveikur makes me feel like I’m listening to Sigur Rós for the first thrilling time, and after nearly fifteen years, that’s a true pleasure.

Compared to previous EPs like Svefn-G-Englar and Ný Batterí, Sæglopur’s b-sides are of a much subtler, more delicate bent.

Compared to the celestial heights that Ágætis Byrjun strove for, ( ) feels remarkably restrained. But in its own way, far more ambitious.

I am here to say that Sigur Rós lives up to everything you’ve ever read or heard about them.

You get the feeling that, in order to truly appreciate this music, you need to see the movie.

Songs like these belong in movies at those pivotal scenes when someone has a religious experience, when long-lost lovers are finally reunited, or when someone is brought back from the brink of death.