I found myself wondering, if the film is in any way accurate, how in the world these women could survive such pressure and fear on a daily basis.

Copeland exceeded all of my expectations with their sincerity and proficiency at playing fabulous rock n’ roll.

More focused and concise then their debut, but still as out there as you’d expect from cLOUDDEAD.

2004 promises us some great movies, but by year’s end, I doubt we’ll have experienced anything quite like Eternal Sunshine of the Spotless Mind.

One of the most original and compelling albums, all artistic obscurity and nonsensical double-speak aside, that I’ve heard in a long time.

From the very first delicate wisps of sound to the last atmospheric that fades over the horizon, The North Shore rarely disappoints.

Every time I put on the album, I find myself coming under its spell just as surely as when I first listened to it.

North Via manages to separate themselves from many of the post-rock/instrumental bands that would normally be considered their peers.

With his humility and subtlety, Stevens gets it right where so much of the “praise and worship” music out there gets it so very wrong so much of the time.

Shimmering, beautiful post-rock shot through with darkness and anxiety.