It’s good stuff, but it ain’t worth $80.

Each unnamed track is slow and purposeful, solid and often quite beautiful.

They’ve really created a beautiful piece here that manages to be sparse and minimal while remaining emotional and moving.

It’s a beautiful work, glittering with ice and chilly atmospheres.

Low plays each song in a very deliberate manner, as if each song survives from one chord or brushstroke to the next.

Easily one of the best of Chan’s recent films, there’s a cohesive plot and the fight scenes are among the best Chan’s ever done.

I swear, this movie has some of the most innovative ways to kill people I’ve ever seen in a kung fu film.

Perfect music for when you just want to be alone, the lights turned down, while the world rushes around you.

Low sticks to their tried and true formula of playing the most sedate pop music one can imagine.

Some tracks may leave the new listener bewildered, but I challenge anyone to not find the beauty ultimately contained in these recordings.

I would even hazard to say that Low’s music isn’t really experienced until you see them live.

A movie about the wonder and mystery of movies, as played out in the life of one man.

It’s a wonder we ever survived the Cold War.

Beautiful cinematography aside, the movie’s quirkiness and whimsy undermines its emotional impact.

The balance between the two extremes of madness and beauty gives Godspeed’s music its emotional impact.