Ashes of Time by Wong Kar-Wai (Review)
100th Window by Massive Attack (Review)
I was surprised and dismayed at how unaffecting it soon became.
Blue Cotton Skin by Petracovich (Review)
Jessica Peters balances her electronic and acoustic leanings with considerable skill.
Il Mare by Lee Hyun-seung (Review)
“Il Mare“‘s simple, well-paced story, honest performances, and heartfelt characters ensure that it’s more than just eye candy.
Smash the System (Singles and More) by Saint Etienne (Review)
A two-disc compilation that serves as an excellent introduction to Saint Etienne’s pristine, immaculate dance pop.
Wrong by Locust (Review)
An attempt to bridge the gap between Mark Van Hoen’s harsh earlier work and his most song-oriented material.
Debridement by Rivulets (Review)
A definite sense of wistfulness and longing permeates this album.
Silver Line on a Black Sea by The Potomac Accord (Review)
While there are undeniable Godspeed comparisons, The Potomac Accord’s music is never quite so bombastic.
Projecto by Kobi (Review)
Kobi create pieces of stunning focus and intensity, especially given the unstructured approach behind their construction.
Formations by Mileece (Review)
The album’s focus is more intent on creating dreamy textures rather than anything more concrete.
Bombay the Hard Way: Guns, Cars & Sitars by Dan The Automator (Review)
Guns, Cars & Sitars flows with a sense of style and funk that is deeply infectious, exotic, and most importantly, bad ass.