Amazing how unassuming songs like those of Denison Witmer and Rosie Thomas can manage to push the whole world away.
Maybe grace’s finest legacy is that it allows us to realize we haven’t arrived there quite yet
AMP has indeed changed their sound, and not managed to totally disappoint in doing it.
Perception’s strength lies in the fact that it takes seemingly unrelated sound sources and combines them into glorious music.
Enter Spriggan, the Commando of the anime world, with an Indiana Jones twist.
Guaranteed to open up a new fanbase for Gomez while still appealing to the already impressive and varied one they have accumulated over the years.
This two-hour distillation of the 30-episode TV series is an incoherent mess.
One of the hardest things of all to understand about this album is why it sounds so much like everything the people in the songs want to escape.
In truth, Frazer’s voice is what truly sells this album for me.
At the Garbage concert at the Riviera, it was Butch Vig who was the last to leave after the band’s first set and its encore.
A crucial album to restore your faith in the music industry.
The mix of bizarre sonics, lyrical freakshows, and normal songcraft definitely feed off each other.
Throughout Finally We Are No One, Múm never lets you forget that live, starry-eyed, wonder-filled humans are behind the music.
What Mogwai do really, really well is conjure a sense of euphoric aggression.
Lush always focused more on the ‘pop’ side of the ‘dreampop’ equation.