Asha Vida do wake up echoes of early Verve in a couple of the songs on Nature’s Clumsy Hand.
Swirling guitars and glittering electronics lead the way, with female vocals weaving in and out.
The time off given to these machines and beats seems to let one hear them in a new context though.
This single song shows why they are currently putting out some of the best music today.
An awesome noise/experimental offering.
But there’s just too much going on at once in these songs, and it’s not used effectively.
Integrates industrial elements into a high voltage, easily recognizable Seattle modern rock sound.
Bon Voyage plays beautiful, sweet pop perfection.
Let these two releases be a lesson to the kids; you don’t need a record deal to make records.
This disk will fit nicely next to that E.A.R. record you own (or should).
Simply put, this disc is all over the place, jumping from dub to hip-hop, drum n’ bass to club-friendly downbeat.
It’s pretty obvious where The Waterfall Effect derives its sound, but it does so without sounding terribly derivative.
The soundtrack is a great sampler of some of the best acts on the Australian music scene.
Monaco’s music is marked by the immediately distinctive bass playing of Peter Hook.
After The Flood takes the eerie otherworldliness of Lucid’s music and makes it more musical and listenable.
Arco’s Chris Healey has just about the softest, whispery-est voice in pop music.
Anti-Pop Consortium’s detours are not the same old breaks trotted out which are sure to rock a crowd.
Mathias Anderson displays considerable talent in creating “experimental” music that’s surprisingly easy to listen to.